BIG THANKS TO TRUNKS_ELK AND LIANA!
heigen inspirated by Mike Oldfield in 2007?
I think that could rather be addressed to Where Every Life Is Beautiful, and it was written somewhere in 2007, too.
Heigen also has some Oldfield-esque feel to it, but fainter.
I doubt ANY of us can answer objectively.
But not being good and not being up to fans' expectations are clearly not the same things.
About compilation structure, you gotta accept it - Fiction 2 does it the Everlasting Songs way rather than the Fiction way. And Fiction was a new take for Yuki, where she could reapproach what she had written, reimagine it to an extent... and since the released songs were gathered from two recent years (and basically three recent OSTs), it was wise to rearrange them anyway. Fiction 2 old song choice is a bit different: it overviews roughly seven years of her career, with a TRUCKLOAD of music therein, but since Fiction is mostly about non-Japanese songs, the choice of songs was quite predictable (come to think of it, Yuki hasn't worked all that much with Western vocalists since the official start of FictionJunction era
). According to their curious two-year-interval schedule, a new Emily/Yuki collab seemed to be due as well
But was there a necessity to rearrange all the old songs for the sake of rearranging them? A solo album is more about presenting them one more time, to a possibly different audience - lots of people simply don't care about anime music, thus missing out on things like Forest or Everytime You Kissed Me. And unlike the case with Fiction songs, none of these were younger than a year this time, so there's no fear of "release spamming", if you care to name it so.
As to being new and all... the question is, whether there is WILL and NEED. A musician is free to do what (s)he likes, and if (s)he remains a pro at that, why not? then there is the frequency factor: poeple like Elton John or Mike Oldfield release an album per 2/3/4 years. And even THEY don't do any experiments unless they feel like it. And here we're talking a composer who releases up to 4-5 CDs PER YEAR. Innovative or not, all these works manage to hold the plank, being dictionary illustrations to "Quality Music". Let that sink in.
I don't state that people have no right to be grunty about failed expectations or whatever. And it would be wtong to oppose myself to them as some "pink-glassed pleasable fan" - it would be hypocritic to claim that tracks like, say, "Complications" or "Ode to Power" touch my inner strings in quite the same way as "A Song of Storm and Power" or "Will" do. But I personally don't find it necessary for Yuki to be another Mozart (the world is fine with just one) or something. Her whole career is one big new and fresh thing in music, one of the harbingers for the period when pop music - like rock music before it, back in 1970s - starts melting back into the general music heritage it once counterposed. Making such diverse, beautiful music, and making it steadily over the course of years is not something EVERY musician/singer/composer manages to achieve. Maybe it's because I think about this that I fail to be as demanding to Yuki's music and complain about music recylcing (several notes in Adore/Symphonia, about as much in Toki no Sabaku/Forest intros... why should it even BOTHER me?) and such. Maybe it's something all of us might find useful to recall as well.
Of course, it's all IMHO and I hope it WON'T evolve into a branch of
this topic.
Everyone shoudl stay true to themselves, and besides, tiime shows that being grunty about a musician's works and hating that musician's works are not the same things either.
EGO is by Eri Ito. They used her solo name, rather than the one shes been credited with on previous Kajiura soundtracks.
I hereby die a happy man.