george1234
Moderator
There is a a part where there's some contradiction. Its the 2nd quote i posted above
compared to this other part :
So, about the recent a-side Kalafina songs, she's either including them inside the "BGM" term, where she doesnt compose freely, or she doesnt include them, but somehow the result is equally disappointing.
and the BGMs arent in the "always create music I myself can feel moved by" field ?
Is she getting moved by the tracks that she doesnt compose freely too ? If so why she feels refreshed when she composes without any guideline ?
I think she herself says that she doesnt like that much the sounds she doesnt compose freely, just right after.
(However there's always the possibility of mistranslation in the interview, since im sure she wasnt interviewed in english)
Do you have set concepts or approaches you use when you start creating a song, or is every job a little different?
I always make it a priority to create music that I myself can feel moved by. There is no way for me to fully comprehend how other people are affected by my music, and of course I don't want to pretend like I do. I also don't wish to compose music under any assumptions or contrived notions of “if I make music like this, it will reach people's hearts.” I believe that if I make music that can speak to my heart, then it must also reach the heart of others. I create my music with that in mind.
compared to this other part :
Rather than thinking about it as differences between pop music and BGM, I think there's a difference between composing music for a film and something I compose for myself freely. Lately, I've been composing BGM a lot more but when I do create something freely from scratch, I am able to feel very refreshed, since I get to reconfirm what kinds of sounds I currently like and want to hear.
So, about the recent a-side Kalafina songs, she's either including them inside the "BGM" term, where she doesnt compose freely, or she doesnt include them, but somehow the result is equally disappointing.
and the BGMs arent in the "always create music I myself can feel moved by" field ?
Is she getting moved by the tracks that she doesnt compose freely too ? If so why she feels refreshed when she composes without any guideline ?
I think she herself says that she doesnt like that much the sounds she doesnt compose freely, just right after.
(However there's always the possibility of mistranslation in the interview, since im sure she wasnt interviewed in english)
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