My impressions:
Red Moon - really epic. I fail to give a damn about any "disjointedness", and if we speak about the intro, IMHO it's quite in the mood of the song. In my top list it couldn't overthrow Lirica, but it seems to have settled close beside.
Tetotetometome - instead of ever so slight homages and allusions in Love Come Down and Mata Kaze... here is a full-fledged Eastern-themed song. Very lively and naughty. I personally like what I hear.
Fantasia - the only song I have found some kind of "disjointedness", the transition from an Eastern-flavoured verse to a real "anime OP" refrain seemed weird at first. But it took me about two or three loops to get used.
Haru wa Kogane no Yume no Naka - The song itself is gentle and nostalgic, with beautiful melody. It evokes less emotions than Sapphire but more than Gloria, imho, so I'd rate it inbetween.
Kyrie - dunno about earlier comparisons to Zodiacal Sign, maybe the live version did sound like that. I tend to come up with weird associations, but well, it rather evokes strong memories of Yuuka's "I'm here" to me. Also one of the cases, when a single note/line can change the attitude halfway through the song (did someone ever experience it?) - I was listening to the beginning in the "ok, jolly good" mode, but on the words "Kyrie Eleison" and the way Wakana sang them something just clicked in me. Maybe it's the moment where the song's mood reveals itself best, I can't explain. Now it's one of my faves on the album. btw, do these words make sense? Kyrie seems Kajiuran, but "eleison" sounds suspiciously Greek to me.
Yami no Uta - as they say, ignorance is bliss. I've never heard Courtesy Waltz, so now I'm enjoying the song full scale.
One of the best songs on the album.
Hoshi no Utai - like I said before, my parallels are weird. This one, despite the flute and all... It keeps reminding me of El Cazador!
Intermezzo - now, I've got a real complaint about this song. IT'S TOO DAMN SHORT!
I Have A Dream - omfg
the trailer hinted at some originality, but I certainly never expected THIS. This song REALLY differs from Kalafina's other works, and if in the case of Progressive a similar perception of difference was disturbing to a certain degree, this song practically expands their scope as a band.
I can't even compare it to anything (See-Saw pops up in mind, but that could be merely influence of the title
)
To sum it up, Red Moon is actually different from Seventh Heaven, which only compliments it and all the efforts of Yuki & Co. I personally like all the songs, aware as I am that none of them has a power of appealing to absolutely everyone. Well, whoever was disappointed, I'm far from the very thought of arguing.
To me, Yuki's talent of creating gold quality pop music has just proven itself once more, and I can't account on ruined expectations even if I wanted to.
Red Moon debuted #4 on oricon daily chart.
So has it beaten Seventh Heaven? It was #6 AFAIR