"she's knockout" (the xylophon instrument) has partly melody of EGO
title of "escape" in the folder is actuallly "no escape"
http://canta-per-me.net/discography/sao2-ost1/
Here's the comparison list
http://www.mediafire.com/view/m41l1r7y9n9m57y/bgm_list_comparison.odt
according to it there are 8 unreleased tracks
im still not sure about ep 4 bgm 6a & b since I remeber it somewhere, will have to listen more to the soundtrack.
here are these tracks if you want to help out.
here are all the rips if you still want them (
click for harmoonica ones).
Each of the following duos counts as one:
ep 4 bgm 3a + ep 4 bgm 3b
ep 4 bgm 6a + ep 4 bgm 6b
ep 14 bgm 1a (harmonica track) + ep 14 bgm 1b (harmonica track)
I mostly want the cow-boy bgm, the piano track and the harmonica one, the others are mostly just sfx.
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Full OST review:
Gunland: best part the guitar solo, kinda used to the swordland melody by now, I think this could be ok even without the flute.
psychedelic world: Good music for a modern shop of weapons (as is used in anime) , althuogh it could be even better for a tech store
Death gun: I think this music is too scary for such a loser villain
The character design is out of Darth Vader too, so I wonder if Holywood asked Yuki to compose a music for him for one of the new Star Wards, if she would give them this
The drums are good but it would prefer them less repeated.
think tederly of you: Really fitting for the Asuna & Kirito scene, it has a calming effect
daily life you and me: I guess same goes for this one, I really like the flute. I think it would fit Mirai Fukuin well too :)
Something is strange: Sometimes I wish Yuki would combine all SFX tracks in 1 track alaa Sawano so we wouldnt have to listen to them every few tracks
creeping up: really creepy as title suggests. the metelophone sound gives a melody line to the otherwise knk-ish feel.
unnaturally tense: I think tracks like this would be more interesting if performed by actual musicians: percussion, drummer etc
inside information: probably the best of the sfx-ish tracks. Has nice acoustic piano and the electronic effects make it sci-fi
concerning operation: This track so so much similar to "strategy meeting" of ost 1 that I wasnt sure if they were the same at first >_> would be better with a real brass
a pressing danger: the strings give a epic vibe to this, enough to catch your attention while watching. The drumming wasnt present in the anime but really fits
shouting it out : nice for tension build up, too bad they never used the e.guitar part in the anime, it was the coolest part.
where's my enemy: I think this would be better with only the bass, the electronic sounds are too loud here
they start fighting: One more of these lazy percussion / sampled flute tracks XD Yuki has used that sample in 2 different OSTs in a few years: Madoka "Agmen clientum", and this.
continuing suspense: this could be mixed with pressing danger with no problem, as it has same instruments and similar feel..
she has to overcome hear fear: I totally wasnt expecting the Remi track to have this title, as in the anime it was used in a certain scene that's unrelated to "overcoming her fear", anyway... The bridge part with the e.guitar was used in one of the CMs before sao II start airing. The song isnt bad but the vocals are kinda too typical and the strings solo doesnt match with the rest of the song. I enjoy the guitar though :)
good bye again and again: Here I again dont understand the title. This is probably the Shinon theme, its sad but isnt touching (unlike the Yuuki theme <33)
no escape: One more track that would be better with really brass, since the strings definetely are and are so clea :)
her actual world: nothing to comment
her cruel past: The quality of the cello sound is so clear! it could be fine even without the sfx.
looking back on those days: This one is similar melody to Tsubasa Chronicle's "dewdrops", that's why it sounds familiar. I thought they would include it in the 2nd sao 2 soundtrack since it was used twice there and was more fit to it, while one once in GGO. The melody has keeped the tooching of the original :)
Her tragic memory: This is a nice piano track, heavy which is kind of rare.
crooked mind: This is one of the best tracks, does to the sudden passing from scary strings to crazy violin <3 the reminds me of "cyber-slum" for .hack//sign due to that element.
a brisk conversation: Music for funny moments, really cute. I was actually expecting "he or she?" title to match to this bgm.
he or she?: This is really nice for relaxation :))
shouting'em up: Unpleased that the drums are the same melody line throuout the whole track, but this e.guitar is cool :)
quickly and without fail: This is a nice disco-ish sound and the guitar is really crazy~ XDD
drive your way: nice rockish swordland arrangement :)
Bullet of Bullets: At start is typical badass cow boy/bar music, I was surprised by the melody change in the middle, but it has a nice transition, and became even more badass. I wonder if the disc scratches are sampled
This is really unique for the Kajiura ost discography so far in terms of music style.
another state of emergency: Epic music but kinda short, I guess it was made for cliffhangers.
Im always thinking of you: Really sweet music. It reflects love that's in the air
so I met her: good for sleep relation XD
a bleak and decolate land: This is one of my favs too. The electronic sounds goes very well with strings and e.guitar and overall is very solid. Even if the strings have short melody, its really uplifting. The drums as also well played without the annoying mania with cymbals. This kinda contrary to it title. This makes me believe that Sato is better for playing in studio recording where he can improvise.
she's a knockout: This a nice track too even though it has the EGo melody on the xylophone, the guitar is nice too, but im not sure if the flute fits
fighting hard and close: All brass should have been real. This quite typical Kajiura track, but I like the slow part after the middle.
you are the winner: Good, but it dragged way too long, maybe Yuki could add more melody after the middle instead of copy-pasting. The e.guitar doesnt really fit here.
peace again: Warm track :)
Overall, I think that even though some of you might not like this ost (
) I think its pretty good, if you except some of the sfx tracks, since it introduces two types of music that Kajiura didnt really have the opportunity to experiment on till now: rock and disco / electronic, and "Bullet of Bullets" and "a bleak and desolate land" are a good example. This ost is defenetely better that Sao's second (ALO), in which I didnt really had the will to want to re-listen after a while. I am not saying its her best but its definetely a good one. From the unreleased I want the 4 I menthioned and especially that cow-boy track since it has violin at the end which is cut.
The fact that the best parts of the tracks of this OST as well as of the first of SAO (March down, First town) where never played on the anime proves that this director is a fail and they better change him if they plan to continue the novel adaption.
I think Im giving this ost 7/10
Fav tracks: (not in order of liking)
Bullet of Bullets
shouting it out
she's a knockout
her cruel past
her tragic memory
crooked mind
shooting em up
drive your way
I'm always thinking of you
a bleak and desolate land
she's a knockout
she has to overcome her fear (guitar part)