N
nodame89
Guest
Eh, one/two single, then album. I hope it would be like that. I hope for better quality of singles - more creative covers and PVs
I want every song to be unique and not to copy melodies from previous songs. She could do that fine until the After Eden album. After that she kinda run out of inspiration for A-sides. https://canta-per-me.net/yukis-vocalists/kalafina/#Discography
Hikari Furu > Similar style to seventh heaven (even if not melody), Mirai is generic and forgetable
To the begining > super generic, was the beginning of the A-side decline
Alleluia was fine but dolce was way too short and kinda usual for a ballad
I love Kngnn but Mysterioso was bleh, and as much people love tsuioku it doesnt really excite me personally.
heavenly blue > eternal blue Kalafina version
believe > awesome intro, bleh rest of song
ring your bell is OK
One Light was ok for me, the rhythm reminds be of the horses running from the anime ED sequence. but was repeatitive as f**k
blaze > One Light #2, boring.
Yume no Daichi is indifferent to me, far on the water is nice especially in the refrain, into the water even better, so i guess she's getting better with RHH songs, but symphonia is still my fav, the horn version one.
Marchen is IEN #2 and will have to see the full song to judge it.
( I dont count in moonfesta since it wasnt for anime)
Lets hope she takes the chance of the label switch break and the concert cancellation to come up with some very good songs.
@Nehelenia I think the big companies make smaller ones for more focused and targetted work on each field. Eg I think King Records has one called StarChild for child singer groups (eg babymetal), Sony has Aniplex for anime music, now they made this Sacra for promotion outside of Japan, etc