Hello Miss Nicole, my name is Caleb Chappell. I’m a student from Detroit, MI that has been desperately desiring an entertainment arts career in Japan for about 16 of my 23 years. Although I have an equal amount of experience in dance and artwork, a longstanding dream of mine has been to participate in singing for OSTs akin to your gorgeous work with Emi Evans when collaborating with Keiichi Okabe’s team developing the NieR: Automata OST. I found your work (and the game itself) from my years of listening to Yuki Kajiura, as her OSTs are often similar to the songs of NieR, and hope to be able to work in her record label, FictionJunction Music. Of course, if not her, any similar label.
I’ve become stressed to the verge of tears about a career, as these interests I’ve expressed don’t have any support up here in or around Detroit. I’ve also been studying Japanese from 8th grade to college, but am caught in student loan debt and really struggling for the money to finish. I was totally astonished and heavily inspired finding a black woman, still under 30, on stage contributing to such a style as the NieR: Automata soundtrack! People remind me that 23 is still very young but I’m nonetheless concerned about various things — I don’t have an educational degree in singing (all experience come from chamber choirs and church) or dance (all experience from church and show choirs), and have postponed my art degree to focus on Japanese language (which is now also postponed from debt), and don’t know how much of this is required to attain a job such as yours. And so, what was your process getting to Japan and working in Japanese music from America? How had you been recruited to sing for the NieR OST? Because I’m very, very willing to give up my American life, but I feel so largely uneducated about how to get to a level such as yours.
— Caleb Alan Chappell
(I’m sorry for how this message has been sent; I’m trying to be simultaneously professional and honest.)