T
takfogger
Guest
^always eager to talk about kakehashi-sama...
mm let me see...speaking about yuki work which leaves us most often with either kakehashi-sama or fujii-sama i guess the whole thing reduces to the elements in percussion (this is objective) ..as kakehashi-sama tends to "prefer" ethnic percussion which is amazing or even latin percussion which i can relate to..(and can dance to it... )...besides i've always found that kakehashi-sama has these "wider artistic freedom chances" and his solo for "requiem for the evil" is remarkable.... )
i find kakehashi-sama's work more solid if you want...more natural more skillful (now this is subjective) ..not just to fit the track u know.....
i guess that's it..
mm let me see...speaking about yuki work which leaves us most often with either kakehashi-sama or fujii-sama i guess the whole thing reduces to the elements in percussion (this is objective) ..as kakehashi-sama tends to "prefer" ethnic percussion which is amazing or even latin percussion which i can relate to..(and can dance to it... )...besides i've always found that kakehashi-sama has these "wider artistic freedom chances" and his solo for "requiem for the evil" is remarkable.... )
i find kakehashi-sama's work more solid if you want...more natural more skillful (now this is subjective) ..not just to fit the track u know.....
i guess that's it..