No I am not young

, and I definitely don't live in the West. So it was a quite popular movie, then? I see.
Huh? Let's keep things PG and pure with Kaori, please, though I do agree she has become even more attractive.
I think I can infer what you mean by "state" after your further explanation.

I was definitely praising her attractiveness, but also wondering about her state of mind and thought processes now that she has a child to daily be thinking about, as a singer.
I think motherhood is a beautiful and powerful thing for a woman to experience, if she's able and willing. It's possible some of the songs she has sung will take a different meaning emotionally for her. There are some things you can't really imagine by just observing. Your emotions and hormones need to partake in the experience for the meaning to be real to you.
One of the currently well-respected, operatic sopranos out there is
Erin Morley (you need to hear her! -
https://www.instagram.com/morleysoprano?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==) and she's a mother of maybe 3 young kids yet making her mark in the industry. I've seen an interview where she spoke about how a woman's voice (and career) can be negatively affected by being pregnant with the hormonal changes, and opera companies being wary of working with women during those uncertain periods, and of course after birth the massive challenges of caring daily for the little ones and their needs.
I will just end by saying KAORI looks
really good and also I liked how she still remained fully her charismatic and engaging self during the times she was on stage during the Kanagawa YKL20 (I know, I know, I keep going back to that near-perfect recent live , in my eyes anyway).

I am interested to see her evolution as a performer and vocalist. I am glad Kaori has Joelle to help with vocal guidance for the changes with the example of her own experiences.