Kawohni said:
Overall I really like this album. I feel like it's an evolution of Kalafina's sound, like they're maturing. I really feel like this album is Kalafina.
Some songs are very... heavy, though, and thus hard to listen to. Signal is heavy, Obbligato is heavy, and so is Consolation. They're all amazing songs, but it's like they all carry a very angry energy. Something you wouldn't just put on repeat.
Door is beautiful, as is Kichigo no Shigemi ni. They're nice breaks from the energy of the rest of the album. The album track list itself seems to go on an up-and-down roller coaster between angry energy and soothing calm songs. I guess that's how it got its title and title song~
Some interesting instrumental choices as well -- accordion on top of an electric guitar? Only Kajiura-san!
Well said. I'd argue that it's not really so much "angry" as
intense, which still means it's not something some people can put on repeat. Personally I revel in their energy, especially Signal. That throaty electronic bass is hilariously out of place but still works somehow. And yes, the accordion in Hanataba is brilliant. Probably my favorite out of the album--the passion here and Hikaru in her best register are really awesome to hear. Obbligato begins by paying tribute to serenato and sandpiper (yay chanty choruses in e minor!), then gets rolling hard with the bass and rock feeling instead of staying melancholic.
I feel that the chords in Door strayed a bit too close to typical pop--I for one appreciate how Kajiura uses slight chromatic deviations from general pop structure to keep things interesting. But yes, at this point, songs like Kichigo no Shigemi ni channel previous ballads, like Gloria as HimeWakana noted--not that it's a bad thing, heh.
I quite like this album. It's fun to be along for the ride and see how far this group has come from their strong singles in the Kara no Kyoukai series.