My vinyl finally arrived today.
It was pretty well packed in a thick cardboard box, with bubble wrap and paper padding. Fortunately it seems to have avoided the fate of my copy of RyB, in that the disc isn't bent out of shape like a dinner plate. I still don't know whether that was damaged during shipping or a manufacturing fault, but it hasn't happened this time. I'm also glad that the songs I'm interested in listening to are all on side A - I'm not bothered about hearing the instrumental or TV size, so I've not played side B at all.
I have to admit I, ahem, acquired an mp3 rip of these, but the legit analogue version sounds much better to my ears (I've listened to both on the same pair of AKGs, so although there could be one of many reasons for that, it's definitely not the headphones!). I didn't notice any noise, glitches or skipping either, apart from the occasional crackle from a bit of dust landing in the groove here and there. Which is pretty normal, and won't be a problem as long as I look after it. The arrangements sounded a little 'crowded' and poorly mixed in the mp3s, but the vinyl sounds warmer and more balanced, and the voices and instruments are separated out better. I guess it proves what a difference good quality audio gear makes!
The title track is growing on me though. The same goes for Samidare - neither are particularly exciting, but they're pleasant and enjoyable enough. I can't fault the voices or instruments, at least. The intro to Samidare is kinda cool - it sounds more 'informal' and less polished, like a live session where they just set the tape going, kicked off and played. I don't think it would be able to stand alone as a single or live track, but it serves its purpose as a b-side really well.
Mahiru is interesting. I think I can see why Keiko's voice at the beginning sounds odd - it's that higher end of her range that we don't usually get to hear (and the part of her range that she's less used to using, so there's that). The piano accompaniment reminds me a bit of the soundtrack scores that Tenmon has written for Makoto Shinkai's movies. Again, not a standout song by any stretch, but very nice.