I tried listening to the beginning of it, but couldn't understand much. I also had my (online) Japanese lesson earlier, had trouble talking, and missed the correct answer (though I found it later when the teacher told me to read it slowly with her)
To make things worse, while writing this post I accidentally clicked "post reply" instead of closing the onions window.
So, I'm sorry everyone, but you'll have to wait if you want me to write something meaningful. In the meantime, if anyone else wants to write a summary, feel free.From Kaori's blog; Idk if it was the same for kala, but Sakurada was listedYes there was Sakurada and Hitoshi Konno strings for songful days, but what about the Toyosu one ?
Guitar 遠山哲朗さん
Bass 安達貴史さん
Drums 村石雅行さん
Kyebord 櫻田泰啓さん
Manipulator 大平佳男さん

They are: she wants to focus on composing each piece individually (tackling music piece by piece). She wants to strive to avoid writing out of habit (or on auto pilot).
- Nozaki reveals about Yuki's collection of rejected compositions: YK chucks out a lot of music. And Nozaki noasts that he's very good at picking them up from the trash can. Some of these salvaged rejects have become singles. (They don't say which).
- YK says that (the above) is because she sees each and every piece of her music as a "resume" or "business card" for herself. So she doesn't like to show people anything she can't be proud of.
because i highly doubt it, it was more like of the "autopilot" case but its in worst state possible."Historical secret story Historia" "Magical girl Madoka ☆ Magica" etc.
One hit with three harmonies striking, with hit songs as the lead.
Beyond age, gender, even the borders, it continues to be loved by a wide range of people
Follows the trajectory of the ten years that three singers spun.