Lorde-Kowz
I have reached Yuki nirvana
I think KYOSUKE No.1 is one of Kajiura's more successful piano themes - we know she ain't a pianist so they are always super basic. It flows naturally without getting repetitive while still having those by now "classic" Kajiura cadences. It kind of works in all the variations that are presented here (some more cheesy than others) but I wanted to add that I really love the extended outro on the OPENING THEME version - soooo soothing.
I've always found it odd and funny how, even though she's a keyboardist, her piano and keyboard compositions are the most basic in her discography.
Anyways, All three Kyosuke I are among my favorite piano themes from her. I particularly enjoy the opening theme the most, for it's relaxing tone (it's extra nice when you're taking a walk), but all three are great themes. I also liked that she put some effort in the different arrangements.
Love I is indeed a great theme. Don't know where the scene was used, but it gives me a feeling of vacation more than love, hue. Well, that or driving in a highway over the ocean.
Nightfall Destination (This is Touhou no Kurete, right?) is an odd one for me. Asian intro (Chinese sound?) that turns into that synth and guitar crazyness. It works very well, but I could never imagine it being used in any type of scene, not even anime, hue.
Lounge I and II are pretty chill. Nothing much to say.
The intro to Intertwining feelings for some reason makes me think of a coral reef, or some are under water area. And The little mermaid, hue. It's a pretty nice melody, and it's developed enough to not turn boring even with it's lenght.
I always thought Door to another world was kinda out of place with the rest of the soundtrack, mostly because I thought Kimagure was just a drama/slice of life. Now I know there are espers and shit. The combination of (synth)strings, e guitar and a beat are a pretty common combination now, but I feel like this has more oomph compared to some of her current "urgency" tracks. Also, dat wailing soprano sample, hue.
Love II still doesn't feel very lovey to me, but I guess that's how love was in the 90's hue. The e. guitar is what stands out the most, and to me the most enjoyable thing of the track. Listening to it again, it does have a romantic comedy "happy ever after" sound to it.
Now that I've re listened to the whole OST again I'm left wondering, what the fug happened to all these styles and genres?