She doesn’t need permission to play her own songs. Lol.
Indubitably!
I think it’s the Kalafina girls being shady to Kajiura to be honest. They even followed Kajiura’s chosen music for encore in the YKL 21 Special Setlist live with Hikaru during Asia Tour ( Into the World ). They chose Mune Yukue in the live stream after Kajiura performed it with Emiko. It’s just sketchy for me.
I don't give much stock to these. I have personally decided everyone should perform whatever they have access to in any order they prefer. The listeners will seek out and watch, and compare and choose, as they feel. It's more music for us, that's the way I see it.
it's not anyone's fault the song chosen for YKL19 as well as Kalafina Live 2025 are all amongst their most popular, well known songs.
I guess toshiro was responding to your report of Kalafina fans accusing Kajiura of spite in song selection (was it on X you saw the comments?). She has every right to select any song she wants to perform, just as Kalafina do as well.
Everyone's just getting back at each other. My own issue from the start has only been the origin of this whole mess - how SC got the girls to promote their performance of Kajiura's music (written for them) without her.
they definitely paid the royalty to perform those songs anyway.
I'm sorry but they didn't have to
do anything to pay the royalties to Kajiura. No one is doing her any favours. It's all automated in the rights distribution. So I would that's not a point one way or another.
the FBM fanatism doesn't even make sense to me considering Kalafina HAD a near completely different band at the beginning of their career.
Kalafina never "had a band" in the sense that they didn't put one together themselves. They were assigned musicians who rehearsed and played pre-written with them at different times. Sometimes those who played in the studio recording differed (at least in part) from those on stage (who often used sheet music to play along after rehearsing). If we looked at it from the musicians' list, one could argue (though maybe not so successfully) that Kalafina were sometimes having a sort a cover performance of their studio songs.
FBM (through Kajiura's influence and musician selection over time) became the most complete, recurring, longstanding,
and career-shaping band to Kalafina's career. They are a unit (they don't have revolving members) and so their presence can't be discounted.
That's another thing that bugs me. People just accept that it's OK to throw away the relationships of touring and writing and rehearsing with FBM because other musicians can play the songs (using music sheets and rehearsing).
The reason Kajiura calls them the
FBM (and not just a random backing band) is that each of them are in a sense co-composers and she refers to them as "
nakama" to her as a person. I call them "co-composers" because Kajiura didn't write the flute parts and the drum parts, and the bass parts, and the violin parts. Of course, not. All of the iconic riffs and sections in the songs came from their minds and Kajiura's as well, during composition and rehearsing.
I appreciate how she takes time to praise their skill and contribution, and share a few things of their current interests during her lives, because they are vital part of the tapestry of her music (including Kalafina's). She does the same for her singers too.
There's a sense of dismissal and waving-away of their contribution that grates at times. They may not be the individual best in Japan at their instruments (Akagi is high up in my view) but they've contributed greatly.