Highway Star Party 2024 (Sept 22-23, 2024)

"In the land of twilight, under the moon" was fresh and had a very great vocal distribution. Yuriko's intro is always on point, I noticed that she hasn't segmented the final mid-joint line at "in the land..... of twlightttttttttttttt" in the recent renditions, unlike the 2008 or 2014's version. Joelle replaced all Kaori's "la la la" parts, though I wasn't really fond of the beginning "la la la" that much, the ending "la la la" part sounded a bit dark and contradicted splendidly with Keiko's brighter line. Lino + Rito did quite well + loved their presence. I don't know but I really liked the instruments here (I didn't hear any violin parts aside at the end of their first verses before the guitar solo? Or were my ear gone weird???).

The smile exchange at the end was adorable.

Edit: I do miss Kaori : )
 
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Did noone but the three of us watch it? XD

Edit: (In case people have issues finding it, both .ts are on jps and on bili day2 is under the same link with day1.)
 
Did noone but the three of us watch it? XD

Edit: (In case people have issues finding it, both .ts are on jps and on bili day2 is under the same link with day1.)
Weird. I searched on Bili on Thursday and Friday and only found the 2023 raibu hue. I'll try again later, if not then I'll just get it from jps.
 
Great spread of musicians and songs overall. Superior to the 2023 version in my opinion, overall!

Before going to the Kajiura showcase, other artist performances I liked:
- Haruna Luna's live performance of that her newer slightly edgy song, "鏡面の彗星" was cool. Her voice is always stable and her low range is cool to hear.
- Her second song, "アイヲウタエ" was energetic with her cheering the fans at the beginning, which was cute. She usually sings mid-tempo songs so it's nice to see her sing fairly fast songs. She hit a nice A5 😍or thereabouts in head voice at a couple of points! She's just so cute overall! ❤️
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- LINO LEIA sang her "sanctuary" and it was really cool to hear her bring hip-pop to HighwayStar in lieu of the usual rock/ballads, anison styles. It's all in English too! Bold move for a showcase concert, girl! She's confident about her music. 💪
- Masaaki Endoh's acoustic-guitar-led, sing-along song was head-bopping. It was a cool song.
- rito was more comfortable and engaging in this live compared to the 2023 version. Getting seasoned, bit by bit. Her charm came through in the first song, "Wonderland", as a mid-tempo, vibe-y song. There was a cute little run to the center of the stage at point that was just so cute! I wasn't sure if she was correcting a position mistake, or just spontaneous expressing delight. In her second song, "スズラン" it was a happy, positive vibe. There was an acoustic bridge where she was switching from heady-mix to falsetto and it was cute. rito is coming through!
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- Hironobu Kageyama x Masaaki Endoh x Hiroshi Kitadani! Those guys are a force of nature together! Nice strong, male harmonies having tenor and baritone vocals together.
- "ゆずれない願い" by shuri was cool. She looked lovely and cool in her costume.
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- "革命デュアリズム" by Hiroshi Kitadani and shuri was also epic. Two powerhouse vocalists! This is the first time I think I've seen a duet with just a male and female, for a power rock song in Highway Star just looking at 2023-2024 though I may be wrong (I was wondering about Kaori singing this song instead, just because of her strong voice and lead energy!)

****** YK x FictionJunction (full covers of Kajiura included) ******

- "Kimi no Gin no Niwa" cover by Haruna and co. was sweet. The soprano (Yoko Ishida) was cool! She hit those high notes in a heady-mix rather than falsetto so I felt it from the first verse. Haruna Luna made a great effort with the alto voice. I'm sure the ladies enjoyed the harmony and part-switching and got a glimpse of how challenging it can be to sing Kajiura's vocal arrangements, especially over the course of years. Shiho Terada was also lovely on the keys!

- It was great to hear the SAO theme intro! I felt proud / patriotic when it came in! 😎 And a loud cheer for Kajiura (respect, man!). Good start!
- "Luminous Sword" was epic! Not least because the audience was really into it: without any prompting from the girls they were pumping/shouting to the beat throughout the strings interlude. Probably the greatest cheers of the night (with no prompting from the stage, just reacting to the music). People must really love SAO (and the Konno-led string work was doing its job - it's indispensable for this song)!
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- Kaori's energy and heavier voice was definitely missed for "In the Land of Twilight Under the Moon". 😢 You could feel the vocal and stage energy slightly lessened from when she's there. Even Keiko+rito's unison counterpoint during the first part of the bridge was lighter. Everything was just lighter! 😊 And rito+LINO's "lalala" (replacing Kaori's solo take in the normal arrangement) wasn't up to Kaorí's power. Hmmm, I am sure that Joelle missed/changed some pitches at some points, which was surprising from her (was she feeling a bit pressured for this song or just overly "creative"?).
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- "nowhere" was led by rito which was perfect as a cover! She has the youthful, light and clear voice and it was comfortable for her chest range. Solid performance indeed. For comparison, ASCA's KajiFes voice is more muffled/darker for a FJ Yuuka cover (though she was able to rile the crowd). rito was also able to give lead singer expression for the song. The guitarist's solo was so cool and worthy of the song. He was on point throughout.
- YK x Hironobu Kageyama x Masaaki Endoh x Hiroshi Kitadani doing "Magia" was totally unexpected and interesting indeed, as a unique experience. They are such tension/belt-oriented singers for hard rock that the smooth harmonies and dynamics required for the song just weren't there. (I mean Kajiura was looking worried/confused at a point during the chanted section before the first verse🤣!) The dudes were just belting every line!

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General thoughts:
1. Thinking about how drilled our FJ ladies have been to sing Kajiura's music, I would have liked them to be able to come as their solo selves under this HS Party banner and be on this same stage supported by the excellent backing musicians, so their strengths/skill can shine among the rest of the artists.
2. The backing band are (again) excellent and made the songs shine, all of them including Kajiura's. They are definitely a tight unit so that professionalism will always be showcased irrespective of any artist they support!
3. I was proud of our YK mini-utahimes for shining forth strongly, yet with delicacy and poise.
4. I like how Kajiura uses these lives (hers and others) to show she can cover any of her own music proficiently with just the FictionJunction vocalists, no external help required (or even the original vocalist to be honest). rito gives additional options for leads in this case, with her bright/light/youthful voice type.
5. Kajiura's music should probably just be sung by the ladies forever, no male-only pairings, including for covers (unless you can get male vocalists of the caliber of Forestella to cover them).
 
Kajiura's music should probably just be sung by the ladies forever, no male-only pairings, including for covers (unless you can get male vocalists of the caliber of Forestella to cover them).
Omg I did a lot of Kajiura's covers already xd. I sang "Ring my song", "You are my love", "Vanity", and Liminality already in school's festival and wedding xd. Practicing In the land of twilight for the next schoolfes.
 
The perfomances were fine. Tbh I find it hard to be excited when the playlist is so stale. How much is there really left to say about any of these songs?
 
The songs were fine. The funniest was Magia, the 2 of these dudes look and sound exactly the same, and all 3 they sing in a weird free-style way as if they re in a karaoke box / slitely drunk . Kimi no gin no niwa was nice to see it performed by diffferent girls than usual.
 
I'm probably biased, because like I said, I like the guys. Them belting most of the song in the og pitch is wild.

I absolutely agree that it came across as a drunken karaoke segment from how the guys are (but also because of the bloody strings and I still don't think it's a hype song for lives) but I think that was kind of the point of the JUNCTION segment? Having fun? And, despite @CloisteredFlame's screenshot from the opening kajiurago of the song, Kajiura absolutely had a grin on her face through most of the song.

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I can also totally understand if others don't like it. Maybe I wouldn't either, if it were an og studio song, rather than this live situation
 
Omg I did a lot of Kajiura's covers already xd. I sang "Ring my song", "You are my love", "Vanity", and Liminality already in school's festival and wedding xd. Practicing In the land of twilight for the next schoolfes.
Do you have them on a YouTube channel or something?
 
I'm probably biased, because like I said, I like the guys. Them belting most of the song in the og pitch is wild.

I absolutely agree that it came across as a drunken karaoke segment from how the guys are (but also because of the bloody strings and I still don't think it's a hype song for lives) but I think that was kind of the point of the JUNCTION segment? Having fun? And, despite @CloisteredFlame's screenshot from the opening kajiurago of the song, Kajiura absolutely had a grin on her face through most of the song.

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I can also totally understand if others don't like it. Maybe I wouldn't either, if it were an og studio song, rather than this live situation
I give you Kajiura's grin. She was probably impressed they hit some of those pitches.
 
Them belting most of the song in the og pitch is wild.
I mean Hiroshi Kitadani hit something like an A5 in one of his earlier solo songs in that pinched high falsetto.

"Magia" was probably not the best showcase song for having male rock vocalists, sing it! It's a rock-styled song but the classical/ethnic elements didn't sit well with these guys. A pure rock song from Kalafina would have been better, maybe "One Light".
 
Going back to watch the "Kimi no Gin no Niwa" cover with the news of Keiko being absent from YKL21. Having an acoustic version of the song in the original key, with the singers and accompanist being completely guest artists, and doing all the harmonies just like the original, seems like foreshadowing of what we might see at future Kajiura events. Though it's not the same, I must say Haruna Luna hit those low notes quite well. She has some range (she also did a A5 in head voice during her solo performance).
 
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