C
curious1974
Guest
Hello, i'm from Italy and i had the chance to appreciate the music of Yuki Kajiura, whom i knew because of my friend Raffaele (Raffaele_Megabyte), who's already a member of this community.
My interest in the topic of this forum is not only concerning music but also the language itself of the texts -i've a passion for costructed languages, both auxiliary and artistic ones. By the way I helped in little part Raffaele in his proposal of "dechipherment" of the classical italian, latin and neo-latin linguistic (both simply phonetic and stritcly grammatical) elements, which can be retrieved in the constitution of the Kajiurago.
Even i believed at first that it could be a mere gramelot or dog-latin; in time i was able to observe that it isn't, or at least it isn't totally so, in spite of its proclaimed nature of costructed, immaginary (and apparently non-sense-made) language.
I found fascinating the mix of medieval italian music arrangements and of ancient italian language or latin in some of Kajiura Sensei's songs.
Hello all.
My interest in the topic of this forum is not only concerning music but also the language itself of the texts -i've a passion for costructed languages, both auxiliary and artistic ones. By the way I helped in little part Raffaele in his proposal of "dechipherment" of the classical italian, latin and neo-latin linguistic (both simply phonetic and stritcly grammatical) elements, which can be retrieved in the constitution of the Kajiurago.
Even i believed at first that it could be a mere gramelot or dog-latin; in time i was able to observe that it isn't, or at least it isn't totally so, in spite of its proclaimed nature of costructed, immaginary (and apparently non-sense-made) language.
I found fascinating the mix of medieval italian music arrangements and of ancient italian language or latin in some of Kajiura Sensei's songs.
Hello all.
and welcome!! :)
nice to meet you.
