Kajiura Family Media Appearances

  • Thread starter Thread starter Keiri
  • Start date Start date
Glad that I didn't stand by for the NHK broadcast. It's so ... forgettable.
Plus they didn't get to talk. >=

I messed up the timing and was an hour late to today's show 「ヘッドホンおじさん CX」. If anyone has it... *nudgenudgewinkwink*

Do you still need it?
 
Nana wrote something about performance with Kalafina. Can someone translate it? Google translate is inaccurate

全出演者の方々と「また逢う日まで」の5曲を歌わせていただきましたっ!
生放送ということで大緊張していた水樹...やらかしてしまいました...
直前まで、歌割りパートの変更があった為、自分のパートではないと思い込み、
天使の誘惑でウッカリ出遅れ...本当にスミマセンでした(T ^ T)
Kalafinaのみなさん本当にゴメンなさい(/ _ ; )
猛省して、帰宅後歌の深夜練しましたっっ(>_<)
でも、大好きな歌謡曲を、素晴らしいアーティストの皆さんと一緒に歌わせていただき、とても幸せなステージになりました!
会場で、そしてテレビの前で応援してくださったみなさん、
本当にありがとうございましたっっ☆☆☆
 
Glad that I didn't stand by for the NHK broadcast. It's so ... forgettable.
Plus they didn't get to talk. >=


Do you still need it?
Yes, please. Thanks!

I'll probably finish up the radio this weekend if I can find the time. I realise that I seldom get it done if I announce it though. Lol.

I was annoyed that the emcee didn't direct any questions at kalafina too. It's rude and it probably makes kalafina feel even more uncomfortable being there. They're understandably small fry compared to the others but music fair was able to treat them as equals. Why couldn't they?

Nana wrote something about performance with Kalafina. Can someone translate it? Google translate is inaccurate

全出演者の方々と「また逢う日まで」の5曲を歌わせていただきましたっ!
生放送ということで大緊張していた水樹...やらかしてしまいました...
直前まで、歌割りパートの変更があった為、自分のパートではないと思い込み、
天使の誘惑でウッカリ出遅れ...本当にスミマセンでした(T ^ T)
Kalafinaのみなさん本当にゴメンなさい(/ _ ; )
猛省して、帰宅後歌の深夜練しましたっっ(>_<)
でも、大好きな歌謡曲を、素晴らしいアーティストの皆さんと一緒に歌わせていただき、とても幸せなステージになりました!
会場で、そしてテレビの前で応援してくださったみなさん、
本当にありがとうございましたっっ☆☆☆
Nana apologised to Kalafina for messing up her part a little during their collab song together. You'll notice that she was late for her line gomennasai and started mid line with nasai. I found her recovery to be very fast though.
 
I forgot to mention that apparently they made changes to who sang what before the broadcast and so nana thought the line wasn't hers. I wonder who decides?
 
Yes, please. Thanks!

I'll probably finish up the radio this weekend if I can find the time. I realise that I seldom get it done if I announce it though. Lol.

I was annoyed that the emcee didn't direct any questions at kalafina too. It's rude and it probably makes kalafina feel even more uncomfortable being there. They're understandably small fry compared to the others but music fair was able to treat them as equals. Why couldn't they?
You have PM.
That was the first time they guested 「ヘッドホンおじさんCX」and Wakana is adorable from the start as usual.
DoThe Card Explosion segment! This and SCK were the more fun ones. ANI-ON

I think 東海ラジオ was the last of their goingonaradioshowsguestingspreeforFOTW.
3 out of all these have studio cam, granted the last 2 were unfortunately 手動
I missed the first one.

It's the opposite for me, I'm never going to get things done if I kept quiet about it haha.

Yes yes yes I'm even fine with him just greeting or asking Kalafina how was it being their first time on the show but NO.
None of that whatsoever.

They treat them differently and not in a good way. Look at how long it took Nana to be on Music Station.

The change in their parts doesn't bother me. It's not going to save the broadcast from being mediocre imo.

Nico and Music Japan TV is so much better.
 
@Insidia I think that Music Station have trouble understanding that music of anime is a broad, cooperative area of music (with some overlap into game music and more general J-pop) not under the control of a single company, based on when they interviewed me before Animelo Summer Live 2015.
 
From Kalafina's Unofficial Facebook:
The publisher Seidosha is releasing a special issue about Yuki Kajiura called 「Yuki Kajiura: Poetics of Fiction making」in its magazine 「Eureka」. Similar to Kalafina's special issue in Kadokawa, there will be long interviews and comments by various guest writers such as music critic Toshiaki Endou.
The issue will also focus on Yuki Kajiura's many projects including See-Saw, FictionJunction and Kalafina.

Eureka 2015 Vol. 11 is to be released on October 26.
Amazon Link
41djljYM8GL._SX323_BO1,204,203,200_.jpg
 
http://www.sonymusic.co.jp/artist/kalafina/info/460651

rockin'on presents「COUNTDOWN JAPAN 15/16」出演決定!

2015.10.26

 rockin'on presents「COUNTDOWN JAPAN 15/16」に出演が決定しました!
 日程:2015年12月28日(月)・29日(火)・30日(水)・31日(木)
 会場:幕張メッセ国際展示場1~11ホール、イベントホール
 ※出演日等の詳細は後日発表予定です
 イベントHPはこちら!
 http://countdownjapan.jp

http://countdownjapan.jp/1516/artist

http://ro69.jp/artist/7268/Kalafina

Kalafina


日本の3人組女性ヴォーカル・ユニット。メンバーはオーディションで選ばれたWakana、Keiko、Hikaruの3名。2008年、梶浦由記プロデュースによる劇場版『空の境界』主題歌プロジェクトとしてスタートし、シングル「oblivious」でデビュー。以降、作品は常にチャートを賑わせ、アニメソングの枠を越えたヒット作を数多く発表。2009年からはライヴ活動も本格化。台北、上海、香港でのワンマンツアーのほか、米、シンガポール、インドネシア、マレーシア、ドイツなどでのアニメ・イヴェント出演と海外でも活躍。2015年には初の日本武道館公演も成功させた。同年9月、アルバム『far on the water』をリリース。
 

Attachments

  • button-only.gif
    button-only.gif
    254 bytes · Views: 339
  • 1.jpg
    1.jpg
    168.1 KB · Views: 332
From Kalafina's Unofficial Facebook:
The publisher Seidosha is releasing a special issue about Yuki Kajiura called 「Yuki Kajiura: Poetics of Fiction making」in its magazine 「Eureka」. Similar to Kalafina's special issue in Kadokawa, there will be long interviews and comments by various guest writers such as music critic Toshiaki Endou.
The issue will also focus on Yuki Kajiura's many projects including See-Saw, FictionJunction and Kalafina.

Eureka 2015 Vol. 11 is to be released on October 26.
Amazon Link
41djljym8gl-_sx323_bo1-204-203-200_-jpg.6623.jpg
now on CDJapan: http://www.cdjapan.co.jp/product/NEOBK-1874516
will definitely be ordering. looking forward to stuff about see-saw. wonder if they will focus on her older or more recent soundtracks too?
 
Thats exactly why I'm considering purchasing this as well. The days of See-Saw were her glory days man. I'd love to know what she sought out as inspiration. *3*
I think she was pretty depressed during that time. She had just left her engineering job to follow an unstable music career so I bet she was really stressed out. The music was probably so amazing because she wrote each soundtrack like it would be her last.
 
Quite possible, when people are in that kind of situation it seems to bring out something rather special that you can't usually access. If I recall correctly, both the original Final Fantasy and Evangelion were 'this is the last thing that will ever be made unless something incredibly special happens' territory and look what happened there.
 
It would also explain why her soundtracks had such a dark tone to them. Not that her happy stuff isn't good; HtA is easily among the best works she's ever written.
 
I think she was pretty depressed during that time. She had just left her engineering job to follow an unstable music career so I bet she was really stressed out. The music was probably so amazing because she wrote each soundtrack like it would be her last.
Hm, well that definitely would explain See-Saw's early days but I meant like between 2001 and 2004. Like when she composed the Noir, .hack, and MADLAX soundtracks. I sincerely believe edge and Senya Ichiya are some of the best pieces she's ever composed.
 
Hm, well that definitely would explain See-Saw's early days but I meant like between 2001 and 2004. Like when she composed the Noir, .hack, and MADLAX soundtracks. I sincerely believe edge and Senya Ichiya are some of the best pieces she's ever composed.
Yeah, I was talking about those years too. Those scores are among her first anime soundtracks and she probably wasn't sure if she would ever get a chance to write music like that again. Now that she's more famous, she's gotten a lot more complacent and doesn't mind falling back on familiar tunes to fill out soundtracks for shows she doesn't particularly care about.

Oh, and edge and Senya really are among the best she's ever. I had the pleasure of hearing them for the first time this year and I was absolutely blown away.
 
Yeah, I was talking about those years too. Those scores are among her first anime soundtracks and she probably wasn't sure if she would ever get a chance to write music like that again. Now that she's more famous, she's gotten a lot more complacent and doesn't mind falling back on familiar tunes to fill out soundtracks for shows she doesn't particularly care about.

Oh, and edge and Senya really are among the best she's ever. I had the pleasure of hearing them for the first time this year and I was absolutely blown away.
Oh, I thought her first anime tracks were Kimagure and EAT-MAN so she would've been on edge back then.
And eh, I find it funny that I find the more familiar tunes on the soundtracks she actually DOES care for. The ones with the most variation I've noticed are Elemental Gelade and Sword Art Online. I don't even think she remembers everlasting song was for Elemental Gelade.
 
Oh, I thought her first anime tracks were Kimagure and EAT-MAN so she would've been on edge back then.
And eh, I find it funny that I find the more familiar tunes on the soundtracks she actually DOES care for. The ones with the most variation I've noticed are Elemental Gelade and Sword Art Online. I don't even think she remembers everlasting song was for Elemental Gelade.
Interesting. I guess Kajiura's gets into a certain mood when she writes a soundtrack and everything she writes around that time shares certain similarities.
 
Yuki is providing link to the publisher website for that magazine

雑誌「ユリイカ」梶浦由記特集 発売!

「ユリイカ」11月号 梶浦由記特集 2015年10月27日発売
詳細はこちら
http://www.seidosha.co.jp
http://www.seidosha.co.jp/index.php?9784791702978


『ユリイカ2015年11月号』
特集*梶浦由記
See-Saw、Fiction Junction、Kalafina…世界を奏でる音楽
(2015年10月26日 発売)
【ロングインタビュー】 梶浦由記
【メールインタビュー】 Kalafina
【論考】 円堂都司昭/さやわか/黒瀬珂瀾/吉田隆一
【連載】 中村稔/池内紀
 
Back
Top