Kaori Oda solo + collabs (non-YK / non-Sound Horizon)

  • Thread starter Thread starter Onizuka90
  • Start date Start date
I believe it's not like Kajiura's, as Shimotsuki's can be translated/interpreted. Also pretty sure she has several projects with different conlangs. Like, Lip-Aura's is different than Tindharia's.

It wasn't for a game. I want to say Lip-Aura started as a joint circle effort tieLeaf with novels, dramas and music.

I could also be totally wrong, love me some Shimotsukin but it's been way too long since I was invested in this...
 
Just to add (as I looked into it just a tiny bit more after waking up)...

All the lyrics (and I believe planning) for the Lip-Aura series, or more accurately Lag-Quara Project, are by Nao Hiyama.

If you care to go on a journey, I THINK these are the music releases in release order (as of today):

月追いの都市 (2005) (youtube)
Lip-Aura ～その手が象る世界～ (2007) (song1 + song2) <- single isn't on youtube, links from tieLeaf best album
ツイソウの窓 (2009) <- 1 song, the song is also featured on the 2014 album
花想少女~Lip-Aura~幻想歌曲集 (2011) (youtube) <- which is where your Kaori song is from
落日の迷い子 (2012) (song) <- original song from tieLeaf best album
捻子巻く月 前奏曲～日溜まりの檻～ (2014) (youtube)
翼の降る王国 (2016) (youtube)
書き溜めた余白 (2021) (song) <- 1 song, not yet featured on an album afaik
音なき森のイヴ (2021) (youtube)
花枯れの魔女 (2022) (youtube)
書き溜めた余白 (2023) (youtube)
弔いの鎮魂花 (2026)

花想少女~Lip-Aura~ also has a drama CD twin release, which incorporates its respective songs.

Can't really help with the text and visual side of things. I may (or not) have some scans of stuff that came with CDs from when I was into the doujin scene but I doubt it's complete.

Edit:
Added youtube for everything but the latest release. It's been ages since I listened to some of these. Still great if you like Shimotsukin.
 
Last edited:
Last edited:
BuradoChi said:
btw here is the link with some performances of her during that time: https://www.bilibili.tv/en/search-result?q=kaori oda
Click to expand...
Her performance of "We Gotta Power (Dragon Ball Z)" had me grinning with her energy and cuteness on stage.

It gave me the vibe of "Miezaru no Ude" with her prancing across the entire stage and really engaging the audience, and her basically long solo lines.

It also made me further appreciate how Kaori's voice has now really improved across her range compared to back then. The fulness of her voice and ability to properly phonate her low ranges, while still being able to hit every high note she could in her younger years, but with more power and breath support, is a testament to her maturity in becoming a seasoned vocalist.

I still want her to be invited to sing with Sound Horizon and revisit her older songs with them with her more advanced voice.
 
You must log in or register to reply here.
Back
Top