Kajiura Family Media Appearances

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She also said that the reason why she doesnt listen to her own songs when CD is out is that she ends up nitpicking and regretting of not doing this or that change to each music track ^^; Another thing she said i found interesting is that at first she doesnt need to do lives for income as she earns enough as a composer. Apparently lives make her reduce the rate of composing by about half. What makes her do lives is that even if she doesn't really like her own musics (doesnt find them as special) she enjoys seeing others liking them and this is what makes her do more lives. But she has now set a limit of 10 years of more YKLs and this is the 1st of those. She also explained the "precious pieces" title as "precious songs/ notes" and they plan to focus on certain tracks instead of aiming for a specific number of songs like they did last year with the 60 songs. But even her was tired with 60 songs n kinda regretted it.
 
"Last year, when I was working on various Japanese songs, I did a lot of covers of YUUKA's songs. I wasn't aiming for anything in particular, but I believe that the soul of a song changes when the singer changes, so I personally find covers very interesting and fascinating. I thought, "If this person sings this song, it will definitely become a different song, so let's have them sing it." After doing that in various ways, I thought it would be nice to go back to the originals and try that again.

It's not about whether the original is better or the cover is better; covers have their own merits, and originals have their own merits. I thought it would be kind of interesting to invite YUUKA back and do an original song after all the previous attempts."
 
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"A song isn't a song unless it's sung. Even if you play the melody on the piano, it might be beautiful in its own way, but it's still not a "song," is it? What makes a song a song is the human voice and the singer's performance of the song. No matter how good a song you write, it will never become a good song unless the singer actively sings it and says, "Listen everyone!"
 
"When we lined up the songs last year, I didn't think it would turn into such a festive atmosphere. I think that was partly because EMIKO worked so hard to liven things up, and we all worked together to bring it in a positive direction."


"EMIKO really got the crowd going with the first song, so I felt like, "If we start off like this, we can't drop the energy next time!" (laughs)."
 
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grunty said:
Didn't read the whole thing, just the bits about YUUKA and nothing interesting TBH.

paraphrasing> "I thought I should perform Seiya at a christmas live so I asked YUUKA if she would do it again, she accepted. I then asked if she wanted to do a tour, she accepted."

That's such a nothing burger, lol. I don't know what I was expecting...

paraphrasing> "I did a lot of YUUKA covers last tour so I thought it would be nice to hear the original singer again."

That's uh... weaksauce... Hopefully it does not mean she wants to do the same songs again... Not that I'm going to any of these lives... Maybe that's exactly what YKL attendees would want from it... so I'm sorry for speaking for others.
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It was an interesting read-through. The Yuuka part had the least insights about their relationship as collaborators. I think she was downplaying it though.
 
george1234 said:
She also said that the reason why she doesnt listen to her own songs when CD is out is that she ends up nitpicking and regretting of not doing this or that change to each music track ^^; Another thing she said i found interesting is that at first she doesnt need to do lives for income as she earns enough as a composer. Apparently lives make her reduce the rate of composing by about half. What makes her do lives is that even if she doesn't really like her own musics (doesnt find them as special) she enjoys seeing others liking them and this is what makes her do more lives. But she has now set a limit of 10 years of more YKLs and this is the 1st of those. She also explained the "precious pieces" title as "precious songs/ notes" and they plan to focus on certain tracks instead of aiming for a specific number of songs like they did last year with the 60 songs. But even her was tired with 60 songs n kinda regretted it.
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Interesting look into Kajiura's views on her own music and the future of her career.

This was the first I've read of Kajiura speaking about her younger sister at all, including about her love for purely instrumental music and classical ballet.
 
Her thoughts on the npr tiny desk show's format and concept contrasting with her longstanding musical philosophy - from her amateur days, to studio work, to live music, even Ohiro-san's input - were fascinating.
 
I think by producer she means Yasunori Mori, Ohira is the manipulator.

I havent finished reading yet so i didnt reach the part about her sister yet. But yes opera n instrumentals are known for long time.
 
george1234 said:
I think by producer she means Yasunori Mori, Ohira is the manipulator.

I havent finished reading yet so i didnt reach the part about her sister yet. But yes opera n instrumentals are known for long time.
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Yes, I meant Ohira when I was typing. I was referring to him queuing in Kajiura and the entire group on their in-ears, on when he's about to start the performance with the click and all that other necessary glue to the live presentations (lighting, etc.).

Of course, it was delightful to hear that Mori was the one who pushed her to go for live performances, when she thought that her music couldn't translate to a live stage, including suggesting to her about having 4 singers standing in front of her to handle the live harmonies and polyphony of her studio vocal arrangement. He's been such a backbone to how her music has developed. I believe he was the one who also convinced Hikaru to go for Kalafina, if I recall correctly. Or was it Keiko? Anyway, he was instrumental to a lot of things taking shape the way they did.
 
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